Are these the natural filters we have come to accept Novelty, boredom and death? Perhaps we of the 21st century can’t see the wood for the trees and will have to wait a century or a millennium to find out what has survived and what was worth preserving but who, or what circumstance, actually render that decision, if indeed it is even rational, remains a mystery.
Sculpture
THE AGE OF MORTALITY
The candidates for this year’s Turner prize all work with their political and social pasts, injustice, prejudice and colonialism as the reworking of history seemingly exists to teach us lessons. While art has always been utilised as propaganda, those lessons essentially fall on deaf ears.
OF BIRDS, SHARKS AND A SLIPPERY DIP
As someone said to me last year, ‘if I can’t hang my car keys on it, why would I buy it?’
EXHIBITIONS IN 2024
EXHIBITIONS IN 2024 As 2023 comes to an end I am planning for next year. It promises to be busy. The large wooden sculptural works will be out on display for the first time as will many of the smaller pieces. Of particular note will be the installation at Palmer. It...
DEATH AND RESURRECTION OR THE NATURAL PROCESSES OF ATROPHIC ENTROPY
Recently I installed two tall wooden sculptures outside a gallery against a backdrop of endless rows of grape vines. They were there for the duration of an exhibition - a matter of six weeks. They didn’t survive. Oriented east-west to emulate the ancient stone...
TO TELL OR NOT TO TELL – THAT IS THE QUESTION
ou are the artist, the creator, and it is your own ego that is being satisfied. It is rewarding if others understand your aim but it is never your duty to explain it…