So, while curriculum writers and critics argue about how many Australian artists might be mentioned in classrooms, their endeavours will fall on deaf ears unless the visual arts are prioritised and not left to chance and competing curriculum demands of what becomes increasingly irrelevant in people’s lives.
Another public case against yet another giant corporation on behalf of street artists everywhere at least keeps the rights of street artists in the public spotlight.
Trying to separate the artist from the work of art or the colonial imperialist from the nature of the culture created, is futile.
Collaboration at any time is a matter or trust and mutual understanding. Committees, musicians and any manner of team and familial groups all manage it more or less successfully. For artists though it is a very different matter. Artists traditionally work alone. When...
This affirmation, or conversely, this idea of rejection permeates the art landscape. There are winners and losers, by far the greater majority destined to be life-long losers by this measure. A level playing field? Some would suggest not.
Collective or collaborative art is simply a camel with attitude.