Painting

THE IMPROBABLE MOMENT

A painting such as this is just such a moment. The figure is caught in motion, in transition, while the other areas are motionless but enlivened with texture. Words appear as seeming dialogue – the visualisation of a soundtrack. In film recording, the sound and picture are treated separately and only brought together in the editing. Again, this is artificial. We experience sound and picture simultaneously however, while the picture can be isolated to a static image or still, words are traditionally spoken at three words per second meaning that the words in the picture cannot be literally experienced at the same time as the figurative and textural elements in the painting. This contradiction creates not so much confusion as layers of improbability.

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COLLABORATION, SYNCHRONICITY and a LEAP OF FAITH

Collaboration at any time is a matter or trust and mutual understanding. Committees, musicians and any manner of team and familial groups all manage it more or less successfully. For artists though it is a very different matter. Artists traditionally work alone. When...

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ON GENDER, COLOUR AND LEFTHANDEDNESS

This affirmation, or conversely, this idea of rejection permeates the art landscape. There are winners and losers, by far the greater majority destined to be life-long losers by this measure. A level playing field? Some would suggest not.

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