IN THE QUEUE AND OUT OF THE EQUATION

  The relationship between artist and gallery has been extensively documented in biographies with positive experiences, disappointment and litigation in about equal proportion and while some note a decline in the role of galleries as opposed to fairs and...

 TITLED OR ENTITLED

  Recently I have seen any number of artists, particularly abstract artists, asking what titles they should put on their works. The original function of a title in the seventeenth and eighteenth centuries was to identify the work for sale purposes and was more...

ON AVOIDING OBLIVION

A few days ago, I received my long-awaited copy of the excellent quartet of themed books on the work of Louise Nevelson, the much-maligned American sculptor. She was criticised for being a woman who dared to live her life via an outrageous persona, for being a woman...
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