Artwork

DIVISION, DIVERSITY AND PAPERING OVER THE CRACKS

No matter what selection committees deem to be the representative art of the day to hang or be installed in a Biennale pavilion, there is no guarantee that they have ‘got it right’ or that the artist/exhibit will even be remembered once the exhibit is over let alone become a beacon of cultural representation – unless a book is written about it.  What is more likely is that being hung as the representative artist will be forever emblematic of a time, a place and art thinking that seeks to draw artificial battle lines.

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THE DEATH OF ART VIA SOCIAL MEDIA

…….the plethora of social media sites offering lessons in Abstract painting [with guaranteed success]. Learn to paint like Pollock, or de Kooning, or Picasso or Hoffman in six easy lessons and take on the art world.

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AS A SELF-CONFESSED ART [AND GRAMMAR] NAZI I CAN ONLY BE APPALLED AT THE DEPTH OF COMMUNITY INDIFFERENCE TO LANGUAGE.

Using language may never be an acceptable way of defining anything and when the audience for a work of art is so poorly equipped in terms not only of language but in coming to terms with their own emotional of intellectual capacity to respond to a work of art without resorting to deconstruction of meaning and semiotics, then the every-increasing divide between artists and their public will only grow wider.

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