Given three hundred years from now the baby boomers, millennials and Gen Z will be long gone and the ultra-rich will be camped on Mars thumbing their noses at the have-nots. ‘Comedian’ may well be an apt description.
Are these the natural filters we have come to accept Novelty, boredom and death? Perhaps we of the 21st century can’t see the wood for the trees and will have to wait a century or a millennium to find out what has survived and what was worth preserving but who, or what circumstance, actually render that decision, if indeed it is even rational, remains a mystery.
The candidates for this year’s Turner prize all work with their political and social pasts, injustice, prejudice and colonialism as the reworking of history seemingly exists to teach us lessons. While art has always been utilised as propaganda, those lessons essentially fall on deaf ears.
A recent controversy over the work of Damien Hirst has brought the idea of conceptual and finished dates into question.
It is not often that portrait painting makes the news twice in a week – albeit it for different reasons. There is nothing new about images of the ultra-rich being hung on a wall and in many historic cases, the painted portrait is the only evidence of their...
In Australia there is hardly an outback road sign that is not peppered with bullet holes but then again, this has nothing to do with art so much as road signs being fair game.