Artwork

OF IDEAS, INFLUENCES AND SELECTIVE MEMORY

When I see the work of someone like a Phyllida Barlow with an installation endlessly taking over a gallery space there is a distinct feeling of amazement because what has characterised my art from the outset has been the self-enclosed limiting factor of the edge of a canvas or sculpture with a definitive outline.

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VOIDING THE  VOID

Sure, the abyss is great for staring into. But if screaming is your thing, you’ll want to go with the void [anon]

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THE NOVELTY OF LIFE AND DEATH IN THE ART MARKET

Are these the natural filters we have come to accept Novelty, boredom and death? Perhaps we of the 21st century can’t see the wood for the trees and will have to wait a century or a millennium to find out what has survived and what was worth preserving but who, or what circumstance, actually render that decision, if indeed it is even rational, remains a mystery.

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