Artist

THE IMPROBABLE MOMENT

A painting such as this is just such a moment. The figure is caught in motion, in transition, while the other areas are motionless but enlivened with texture. Words appear as seeming dialogue – the visualisation of a soundtrack. In film recording, the sound and picture are treated separately and only brought together in the editing. Again, this is artificial. We experience sound and picture simultaneously however, while the picture can be isolated to a static image or still, words are traditionally spoken at three words per second meaning that the words in the picture cannot be literally experienced at the same time as the figurative and textural elements in the painting. This contradiction creates not so much confusion as layers of improbability.

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BITUMEN, BUMS ON SEATS AND THE DOLLAR VALUE OF THE ARTS

t would seem that there is both a cultural divide and a divide of expectation when it comes to Federal government support. Upwards of half a million people actively involved in the Arts may well vote with their feet at the next election and look for a better deal or at least elected officials who take them seriously. In 2019 16.4 million Australians were eligible to vote with a 92% turnout at the ballot box. A disenchanted Arts block of 500,000 could well make the difference in urban areas where Arts practitioners ostensibly reside.

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