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THE END OF CIVILISATION

A combination of dystopian narratives that can also evoke feelings of despair and a degradation of language could lead one to believe that civilisation is on the brink of collapse. The distinction between fact and fiction and the distinction between truth and lies no longer exists

THE LIFE AND DEATH OF THE AVANT GARDE

Can anything being produced in this era of pluralism once again shock the audience as did much of what occurred before the age of post modernism? Is there anywhere left to go artistically or have we reached the limit of artistic breakthroughs or the possibility of another venture into radical form? Innovation seems a long way off when anything and everything can be considered as art.

THE TINY BRUSH SYNDROME

Perhaps the answer to the question lies in two areas. One could be a nostalgic yearning for the era of craftsmanship in the face of factory-driven mass production. The other could be what might be called a simplifying of life. The photorealist image arrives without emotional entanglements, complete within itself and defying interpretation. It simply is.

DOWN THE DRAIN – a SALA review

One of the theoretical divisions of modern and contemporary art recognises that the object can assert its own meaning and exist as a purely aesthetic statement or conversely reflect an ethic standpoint which refers to a socially motivated desire to change or affect the social order.

PANIC IN THE STREETS

Few artists have mentioned city green spaces in their work other than as romanticised places from whence they came, such as a remote rural village in an area of Russia that no longer existed in the case of Chagall

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